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Glimpses of Christian History
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November 22, 1621 • Leading Metaphysical Poet Donne Became Dean |
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![]() Donne at 18.
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In Words
From Jerusalem, Sir John Gielgud relates the Easter in the words of the King James version of the Bible. The text interweaves the Gospels with poems by contemporary poets who speak their work on camera.
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eath be not proud, though some have called thee mighty and dreadful," wrote Donne in one of the many memorable lines he gave us. "No man is an island, entire of itself," he also said. He wrote such things in the days of his gray hair. In the recklessness of youth he had lived and written in a different strain. After frittering his small patrimony, gaining a reputation as a man about town and a poet of naughty lines, he sailed as a bold gallant with Lord Essex on the Cadiz expedition. The expedition did not go well and John returned home no richer than when he left. Lacking money, he eloped with his employer's niece. Perhaps he hoped for an allowance. Instead, he was dismissed into poverty. All doors to advancement closed before him. Forced onto the charity of friends and to whatever hackwork his pen could find, he summed up his sorry state of affairs in a famous epigram: "John Donne--Anne Donne--Undone." Donne contemplated suicide. But when King James I assumed the English throne, Donne's hope returned. He sought preferment. The king agreed--and offered him a position in the church. Donne resisted. He had been reared Catholic: his brother had even died as a consequence of persecution, and Donne was unsure of his own motives and convictions. James awarded the position to another man. After some years, Donne made a serious study of theology and accepted the reformed doctrine. James employed him as a private chaplain. Two years later, James elevated him. On this day, November 22, 1621, Donne became dean of St. Pauls. From this pulpit, his immense wit and intelligence touched the highest level of society. The church was crowded to overflowing when he spoke. Of the depth of his spiritual conviction no one can doubt who has examined his religious poetry and the moving "Hymn to God the Father" with its pun on his own name: I have a sin of fear, that when I've spun Donne's deep love for Anne left him permanently saddened when she died in her thirties. He was convinced that he caused her death by dragging her from a life of ease to poverty. Gloom entered his work and he became increasingly morbid. At the end he was so obsessed with death he even had his portrait painted in shroud. His lines against death have the ring of bravado. If all men are diminished by the death of others, so were others diminished by the death of Donne. It was he wrote the eloquent line, "...never send to know for whom the bell tolls. It tolls for thee." With lines like that to his credit, posterity declares him the greatest of the metaphysical poets. Bibliography:
Last updated April, 2007. |